Course Description

This course will investigate the ways in which artists have presented narratives in the public realm and the organizations that have made the presentation of those works central to their curatorial practices over the last 40 years. Focusing on recent works presented in New York’s public spaces by Creative Time, The Public Art Fund, the Percent for Art Program, Arts for Transit and other non-profits organizations, this course will look at what it meant to tell stories and open discourses that challenged or interrogated widely-held value systems, the events and the politics of their time. In addition to the specifics of current and other key works and projects, we will discuss the conditions that governed the development of public performance, temporary and permanent installations, the ways in which those works were influenced by public approval processes and governmental agencies, media coverage and community response. Each student’s final project will be an on-line proposal for an exhibition that conveys a “narrative“ developed in the context of this course, referencing other relevant works .

Tuesday, October 9, 2018

Subway Art

23rd Street // Broadway 
Memories of Twenty-Third Street by Keith Godard (2002)




 

Mosaic hats placed above the heads of waiting passengers. References famous and familiar people that once lived, or frequented in the Chelsea area. These mosaics include magicians, entertainers, actors/actresses, authors, singers, policemen, and more. Inspired by his time at The Chelsea Hotel in the late 60's, and a book called "Turn West on 23rd Street", Godard decided to focus on peoples hats, instead of simply placing their names or photos around the station.

https://www.nycsubway.org/wiki/Artwork:_Memories_of_Twenty-Third_Street_(Keith_Godard)




14th Street // 8th Avenue
Life Underground by Tom Otterness


 
 


Bronze sculptures, commissioned in the late 90's during renovations, depicting workers carrying tools, sewer alligators, corruption, and work by 19th century political cartoonist Thomas Nast. One image shows a giant businessman wrestling coins away from a tony woman. Some depict figures laying under polls, clutching bags. It was interesting to see people interact with the statues on the staircase. They weren't looked at, just used as a handle to swing around the banister.











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